N.º 35 2020 pp. 75-84

Artigo
Impressão Digital em Arte Contemporânea. Uma revisão para decidir sobre a sua conservação

Iraia Anthonisen-Añabeitia^1,*, Itxaso Maguregui Olabarria¹

¹ Fine Art Faculty. University of the Basque Country (UPV/EHU), Department of Painting, Barrio Sarriena s/n, 48940, Lejona, España

* iraia.anthonisen@ehu.eus

Resumo

A arte utiliza as ferramentas contemporâneas desenvolvidas na época, pelas suas possibilidades materiais e conceituais. Comparando com outros meios de comunicação, os computadores e os dispositivos de saída transformaram a nossa sociedade e cultura mais do que nunca nas últimas décadas. Esses recursos ofereceram um interessante campo exploratório para os artistas, gerando considerações e discussões sobre seu uso e conservação. Nesse sentido, este artigo está focado em dois temas principais: os materiais usados para produzir impressões digitais (tecnologias, tintas, substratos, acabamentos e montagens) e as questões de conservação, como o cuidado na terminologia, documentação e gravação, estabilidade a longo prazo, e problemas de reprodução. São necessários procedimentos claros para garantir a conservação dessas obras de arte, representativas deste século.

Palavras-chave

Património arquitetónico
Materialidade
Tipologia
Cemitério
Mausoléu

Idioma

Inglês

Título original

Digital Printing in Contemporary Art. A review for conservation decision-making

DOI

10.14568/cp2019028

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RIS | Endnote

Citação

História

Recebido: 2019-8-13
Revisto: 2019-11-13
Aceite: 2020-1-6
Online: 2020-5-13

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Endereço persistente: https://doi.org/10.14568/cp2019028