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N.º 32 2019 PDF | RIS | Endnote DOI: 10.14568/cp32 |
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Cover and technical information pp. 1-5, Portuguese and English DOI: 10.14568/cp32fm1 |
Editorial |
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New challenges for Conservar Património Elin Figueiredo, Ana Claro, Ana Zélia Miller, Sílvia O. Sequeira, Tiago Miguel Ferreira pp. 6-7, Portuguese and English DOI: 10.14568/cp32fm2 |
Articles |
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Packaging design for cultural objects: photogrammetry templates procedure Antonio J. Sánchez Fernández, Beatriz Prado-Campos pp. 8-17, Spanish DOI: 10.14568/cp2018016 |
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Fungal stains on paper: is what you see what you get? Sílvia O. Sequeira, Hugo Paiva de Carvalho, Nuno Mesquita, António Portugal, Maria Filomena Macedo pp. 18-27, English DOI: 10.14568/cp2018007 |
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Preparing the foundation for stable gilding: the origins of materials and practices – a review pp. 28-37, English DOI: 10.14568/cp2018033 |
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Going back to collections: a study case of the Florentino Ameghino collection housed in the Museo de La Plata (Argentina) pp. 38-49, English DOI: 10.14568/cp2018027 |
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What is the origin of the black film in the sculpture “Death of Cleopatra”? Pedro Azevedo, Maria Filomena Macedo, Amélia Dionísio pp. 50-64, Portuguese DOI: 10.14568/cp2018047 |
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The ground-penetrating radar (GPR) method in the characterization of the Monastery of Batalha Nuno Barraca, Manuel Matias, Fernando Almeida pp. 65-78, Portuguese DOI: 10.14568/cp2018050 |
Notes |
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A fragment in each institution: the dispersion of Dita Acatauassu Marajoara Archaelogical Collection (Amazonia, Brazil) Maria Santana Simas, Cassia da Rosa, Cristiana Barreto, Helena Pinto Lima pp. 79-87, Portuguese DOI: 10.14568/cp2018038 |
Publication: 2019-11-6
Online: 2019-11-6
Stable url: https://doi.org/10.14568/cp32
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